us that this so
ldier has chose
Target Audience
n to be might
y with his tongue where he co
uld not be with his
re the poet speaks conquest's own eulogy: "Through history those men are heroes whose deeds have been given proper recognition by the historian's pen" (35). He already senses that the pen does not render the glory of the sword immutable; in this historical moment, the pen takes up a work that the sword itself cannot perform. Thus while the old prestige economy of conquest may momentarily enter into
re, it does so at the expense of its own practice: mandated out of existence by the monarch, the performance of Spanish conquest finds its refuge, and later a final resting place, in a practice of writing. When the epic is reviewed by the royal censors in 1609, it seems at first to succeed on Villagra's terms. The censor Professor Espinel writes, "The verses are many and though lacking in imagination
true and connected history" (Villagra 269). However, in 1614, Villagra is charged and found guilty
his participation in - Participants must have completed basic law enforcement training and, where applicable, on-the-job training under the supervision of a departmental training officer.
the conquest of New Mexico. The poet-soldier had apparently taken up writing in New Mexico once before, pr
Contact heir desired military honors. Despite