tion of negro s
emi-slaves. Ind
Target Audience
ians are too
independent and self-respecti
ng to work under su
They prefer to emigrate or die. Negroes hate work, but they can be driven to it. (36) What is thereby discernible as the hidden historical force in Marsh's quest for white Indians is this dream of power and freedom promised yet continuously thwarted by capitalist development. As in a shadow play, the Indian and the black are the beings through which the ceaseless dilemma of labor-discipline and fre
ist enterprise is to be figured. The frontier provides the setting within which this problem of discipline magnifies the savagery that has to be repressed and canalized by the civilizing process. Anarchic Rubble of Racial Time While the white Indians for whom Marsh is searching are at least fixed by their mysterious location at the headwaters of the river in an unknown valley into which no black man
he black people of the coastline and of the riverine villages on the way to that valley create irrup
e-warps. The blacks of Panama (and of the coasts of Colombia) upset white histories and the attempts of their authors to come to terms with the overwhelming turbulence of modern times. Bu
t the Indians are there to fix history and restore its sublime order. They are Origin-and as such they are
curses Captain Selfridge who, engaged in 187